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Paper Presentation

23-27 JUNE

2024

Session 1 (Lecture Theatre 1A)
Documentation, Education and Heritage of the Performing Arts
24 June 13:45

Active Archiving at the National Theatre: Creating a Collection from Parallel Practice with Till the Stars Come Down (2024)
  • Ms Erin LEE (UK) – Head of Archive, National Theatre of Great Britain
Inside the Archives of a Theatre School: A Case Study of Documentation Practises and Specificities in the University of Ottawa’s Department of Theatre Archive
  • Ms Alexandra BERALDIN (CA) – Lecturer, Ecole EAC – Marché de l’art, Culture, Patrimoine, Luxe in Paris
Intercultural Spectacle and the Challenges of Archiving Asian Shakespeare Performances: A|S|I|A as a Case Study
  • Mr DONG Qingchen (MY) – PhD Candidate, Universiti Putra Malaysia
  • Dr Arbaayah Ali TERMIZI (MY) – Associate Professor, Department of English, Faculty of Modern Languages and Communication, Universiti Putra Malaysia 
Unearthing Hidden Treasure: A Saga of Cataloguing
  • Ms Jane PRITCHARD (UK) – Curator of Dance, Victoria and Albert Museum
Making the Traditional Asian Performing Arts Accessible to a Modern Audience: The Osaka Bunraku Workshop Experience
  • Dr Seiko SHIMURA (JP) – Associate Professor, Faculty of Music, Department of Music, Soai University
  • Dr. Robin RUIZENDAAL (NL) – Artistic Director of the Taiyang Theatre Company
Opera Rara and the Royal Welsh College of Music and Drama: The Foyle Opera Rara Collection: Lessons in Heritage, Creativity, and Collaboration
  • Mr Henry LITTLE (UK) – Chief Executive of Opera Rara
  • Prof Roger PARKER (UK) – Professor of Music, Emeritus, King’s College London
  • Ms Judith DRAY (UK) – Head of Library Services, Royal Welsh College of Music and Drama
  • Ms Mandie GARRIGAN (UK) – Library assistant, Royal Welsh College of Music and Drama
Building Archives within Dance Arts Organisations : Frameworks and Challenges
  • Mx Andi JOHNSON (US) – PhD Student in Dance at De Montfort University
Reimaging Dance Archives Online
  • Dr Bethany JOHNSTONE (UK) – Researcher at University College London (UCL)
Squaring the Circle: Dance, Dance Archives and Dance Archiving in Luxembourg
  • Ms Daniela LIEB (LU) – Researcher, Centre national de littérature/ Lëtzebuerger Literaturarchiv, Mersch (Luxembourg)
A Horror Story on Theatre Archiving in Hong Kong – The “Vanished” Theatre Ensemble
  • Mr William Wai Yam CHAN (HK) – Lecturer, Hong Kong Institute of Vocational Education (Kwun Tong)
The Theatre Collection in the Netherlands and the Representation of Asian People in their Circus Collection
  • Mr Hans van KEULEN  (NL) – Curator/ Performing Arts Team Leader, Allard Pierson Museum/ University of Amsterdam
(Multiple) Archives and the Reinterpretation of Theatre Historiography: The Case of Peking Opera in Brazil
  • Dr  Esther MARINHO SANTANA (BR) – Postdoctoral Researcher, University of São Paulo and São Paulo Research Foundation 
Sound and Vision: Unwrapping the David Bowie Archive
  • Ms Harriet REED (UK) – Curator of Contemporary Performance, Victoria and Albert Museum, UK
The Théâtre du Soleil and its Atypical Collection and Conservation: A Living Anarchive
  • Ms Aliénor FERNANDEZ  (FR) – PhD Candidate, Université Paul Valéry Montpellier 3 France  
“Bridging the Gap between the Specialists and the Ordinary Citizens of the World”: Reflections on the Role of Theatre Museums, Archives and Libraries through Time
  • PD Dr Nic LEONHARDT (DE) – Fellow at the Käte Hamburger Research Centre global dis:connect in Munich
We need each other! Dialogue Structures and User Participation in the Performing Arts Collections
  • Mr Franziska VOSS  (DE) – Project Leader, University Library Frankfurt am Main
Sharing is Caring: Our 1st Live Arts’ Conservation and Dissemination Symposium
  • Ms  Laura ARS (ES) – Museum Heritage and Audience Management Technician, Performing Arts Museum of the Theatre Institute in Barcelona, Catalonia, Spain
Dramaturgies of Collecting and Curating Embodied Practices
  • Mz Jayne BATZOFIN (ZA) – Digital Archivist, University of Cape Town
In the Limelight: The Conservation of Costumes for the V&A Theatre & Performance Galleries
  • Ms Susana FAJARDO (UK/VE) – Senior Preventive Conservator, Victoria and Albert Museum
Heterarchy of Times: Archive Exhibition of On & On Theatre Workshop, Hong Kong
  • Ms Vee LEONG  (HK) – Lecturer (Dramaturgy), School of Drama, The Hong Kong Academy for Performing Arts
The Museum of Puppetry Arts in Lyon: From Living Creation to Living Heritage
  • M. Paul RIPOCHE (FR) – Head of the Collections and Documentation Department – Scientific Officer, Museum of Puppetry Arts, Gadagne, Lyon
An Invitation to Play: Embodied Interpretation in the Museum
  • Ms Elizabeth GRAY (UK) – PhD Researcher, School of Museum Studies, University of Leicester
3D Digitization of Stage Costumes at the National Library of France
  • Ms Rime TOUIL  (FR) – Digital Curator at the Performing Arts Department, Bibliothèque nationale de France
Exhibiting Interpretation – Restaging Professional Networks
  • Mr Jorit HOPP (DE) – Predoctoral Fellow, Institute for Theatre Studies, Ludwig Maximilians University
Reenactment in the Program of Kyoto International Performing Arts Festival – Curing Late Capitalist Society
  • Mg Naoko KOGO  (JP) – Associate Professor, Division of Arts Studies, Graduate School of Humanities, Osaka University
The Archival Needs of the Artists: Performing Arts and Curatorial Strategies in the 21 Century
  • Dr Anna LAWAETZ (DK) – Senior Researcher, The Royal Danish Library
Reconstructing Historical Literature, Building New Theories, and Creating New directions for Arts education: Taking the History of Hong Kong Wind Band as a Case Study
  • Mr Ka Chun LIN (HK) – Lecturer, The University of Hong Kong School of Professional and Continuing Education
Interpreting through Exhibition: Breathe In, Breathe Out: Soundscape Curation from the Archive
  • Dr Eva del REY  (ES/UK) – Curator of Drama and Literature Recordings, The British Library
Translating Light: A Reflection on My Creative Dance Practice Informed by Embodied Archives
  • Ms Ivy Yik Chit TSUI  (HK) – Dance Artist
Wardrobe: A Critical Approach to Dance Studies in Hong Kong
  • Dr Xianliang DONG (HK) – Senior Research Assistant, Hong Kong Baptist University
Legacies of ArtsCross: Experience and the Contact Zone in an Intercultural Choreographic Archive
  • Prof Martin Welton (UK) – Professor, Theatre and Performance in the Department of Drama, Queen Mary University of London
  • Prof Christopher Bannerman (UK) – Visiting Professor at London Contemporary Dance School/The Place
  • Prof Rui XU (Mainland) – President, Beijing Dance Academy
  • Prof Rayuan TSENG (TW) – Professor, Department of Dance, Taipei National University of the Arts
  • Prof Anna CY CHAN (HK) – Dean of the School of Dance, Hong Kong Academy for Performing Arts
From Villages to Virtual Spaces: Preserving Intangible Cultural Heritage in the Digital Age
  • Dr Vikrant KISHORE  (AU) – Associate Professor, School of International Communications, University of Nottingham, Ningbo, China
How to archive a theatre instant: The Arxiu Lliure of the Teatre Lliure
  • Ms Anabel de la paz GONZALEZ (ES) – Head of Archive, Library and Heritage at the Teatre Lliure, Teatre Lliure de Barcelona
Digital Transformation in Southern Italy’s Music HE system: The MUSIC4D project
  • Prof Michelangelo GALEATI (IT) – Professor, Conservatorio Santa Cecilia Roma
  • Mr Raffaele LONGO (IT) – Expert International Project Manager for the Unit Cooperation & Research at Link Campus University in Rome
Digitizing FESTAC ‘77 and the Centre for Black and African Arts and Civilization (CBAAC) Collections in the Era of Globalization: Prospects and Challenges
  • Mr Gideon MORISON (NG) – Research Fellow at the Kate Hamburger Research Centre, Munich
Conservation of the Performing Arts, Digitization of Collections and Accessibility: Two Case Studies of the Centre National du Costume et de la Scène (CNCS) and the Bibliothèque Nationale de France (BNF)
  • Ms Elsa BATAILLE-TESTU (FR) – Doctoral Student, Paris 10 Nanterre University
  • All time references are Hong Kong time
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藝能發展資助計劃
Arts Capacity Development Funding Scheme
HKSAR Government 香港特別行政區政府

The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region.

Hong Kong Arts Development Council fully supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.

© 2024 International Association of Theatre Critics (Hong Kong). All Rights Reserved.
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