34th SIBMAS Conference 2024.Hong Kong

Dramaturgies of Collecting:
Conserving, Restaging, and Interpreting the Performing Arts
REGISTRATION

23-27 JUNE

Hong
Kong

2024

Days
Hours
Minutes
Seconds

2024 PROGRAMME

23 June 2024 (Sun)
Conference Day 1

1430 – 1500

Welcoming Ceremony

at Tea House Theatre, Xiqu Centre

1500 – 1530

Thematic Talk 1

Preserving Cantonese Opera in Hong Kong

Dr PK CHEUNG and Ms Naomi CHUNG (HK)

1530 – 1730

Xiqu Performance (Cantonese Opera) 

at Tea House Theatre, Xiqu Centre

1930 – 2100

Welcoming Dinner

24 June 2024 (Mon)
Conference Day 2

0930 – 1045

Registration (L1 Foyer)

1045 – 1130

Opening Ceremony (LT)

1145 – 1245

Keynote Lecture 1 (LT)

Intercultural Perspectives on Documenting Performance

Dr Toni SANT (UK) 

1245 – 1345

Lunch

1345 – 1545

Paper Presentation – Session 1 (LT)

Documentation, Education and Heritage of the Performing Arts

       

Paper Presentation – Session 2 (ICR)

Panel Discussion 

1545 – 1600

Coffee Break

1600 – 1630

Thematic Talk 2 (LT)

The Strategies and Challenges of Establishing “Memory of the World – Chinese Traditional Music Sound Archives”

Dr SHAO Xiaojie (Mainland)

1630 – 1830

Paper Presentation – Session 3 (LT)

History, Theatre Making and the Performance’s Archives


Paper Presentation – Session 4 (ICR)

Audience, Participation and the Dramaturgical Approaches of Collecting

1915 – 2045

Visit 1

Archive of Chung Ying Theatre Company

       

Visit 2

Film Screening and Director Sharing of “Bamboo Theatre” at Goethe-Institut

25 June 2024 (Tue)
Conference Day 3

0930 – 1000

Registration (L1 Foyer)

1000 – 1100

Keynote Lecture 2 (LT)

The Challenges of the Theatre Museum Amidst and Beyond the Pandemic: Digital Archiving and Revitalization Practices of Japanese Theatre

Dr Minako OKAMURO (JP)

1100 – 1130

Coffee Break (L1 Foyer)

Book Exhibition (L1 Foyer)

1130 – 1330

Paper Presentation – Session 5 (LT)

Representation of Performing Arts in an Exhibition Context

       

Paper Presentation – Session 6 (ICR)

Performing and Interpreting the Archive

1330 – 1430

Lunch

1430 – 1530

Thematic Talk 3 (LT)

From Movement Documentation to Performance: A Production of Hong Kong Dance Company “Convergence”
Mr YANG Yuntao (HK)


Thematic Talk 4 (LT)

Documentary Theatre as a Documentation of a Performance – A Macau Production of “The Pedra Sidequel”

Ms Jenny MOK (Macao)

1530 – 1600

Presentations of Hong Kong’s Publication on Performing Arts (LT)

Hong Kong Philharmonic Orchestra
Unlock Dancing Plaza
International Association of Theatre Critics (Hong Kong)


1600 – 1700

Visit to CUHK Library

1800 – 2000

Visit 3

Hong Kong Central Library

 

Visit 4

The Hong Kong Academy for Performing Arts Library

26 June 2024 (Wed)
Conference Day 4

0930 – 1000

Registration (L1 Foyer)

1000 – 1100

Keynote Lecture 3 (LT)

Words, Space and Enacting the Archive

Dr Ashutosh POTDAR (IN)

1100 – 1130

Coffee Break (L1 Foyer)

Book Exhibition (L1 Foyer)

1130 – 1330

Paper Presentation – Session 7 (LT)

Dance, Dance Making and the Dance Archives

       

Paper Presentation – Session 8 (ICR)

Dramaturgical Possibilities of Digital Archiving

1330 – 1430

Lunch

1430 – 1530

Thematic Talk 5 (LT)

Dynamizing the Archive through Documentation, Creation and Promotion: A Case Study of Centre 42 Singapore

Ms MA Yanling (SG)

       

Thematic Talk 6 (LT)

The Representation and Re-interpretation of Documentation: A Case Sharing of “Dialectical; Trajectories and Displacement of NTCH”

Ms CHOW Ling-Chih (TW)

1530 – 1615

Keynote Lecture 4 (LT)

Life and Times of (Arts) Documentation As (Arts) Criticism

Mr Danny Yung (HK)

1615 – 1630

Conclusion and Farewell (LT)

1630 – 1745

SIBMAS Annual General Meeting (LT)

27 June 2024 (Thu)
Conference Day 5 (Optional Excursion)

1030 – 1230

Guided Tour

Cantonese Opera Heritage Hall, Hong Kong Heritage Museum

1230 – 1400

Lunch

1430 – 1600

Guided Tour

Tai Kwun, a Conservation and Revitalisation of Heritage Project

  • LT = Lecture Theatre (CYT LT1A)
  • ICR = Interactive Conference Room (CYT 203)
  • For those who have purchased online pass, live stream on Zoom will be provided for sessions takeplace in the Lecture Theatre (LT) only.